The Clown Prince Ascends to his Throne
There’s plenty of egg-on-face - or just embarrassed silence - for the many pundit hacks, often former Tory colleagues of Boris, who wrote him off as a priapic
A new poem by Christopher Jackson
Almost unknown; scaling uprights:
the circus’ seasoned acrobat
who knew the balancing routines –
the huddled faces low, upturning.
If it was an act, it seemed necessary:
a staged anonymity,
sought and found in life’s tumult,
whose skill slipped, a missed vault,
which showed what once had passed for truth:
how he and his sort had smoothed
absurdist shapes of disparate folly;
silent effort mastering belly-cries,
linking the uncodified.
His absence showed the aftermath clear:
lions tore at the elephant hide,
in absence of the circus-master.
Now at show’s end, whispers rise,
and all turn as they depart the tent.
Was there dirt on his nail? Motes in his eyes?
The auditorium will not fall silent
so long as we performed at all.
There were too many watchers; and each
gets implicated in the other’s pall –
fallibility, most of what we have to teach.
There’s plenty of egg-on-face - or just embarrassed silence - for the many pundit hacks, often former Tory colleagues of Boris, who wrote him off as a priapic
George Peel surveys the best of the new crop and finds much to celebrate in all the parties
Christopher Jackson provides an update of a department about to enter a period of considerable flux.
When the clocks struck 11pm on 31 January, it was the end of our 45-year relationship with the EU.